Wednesday, 29 July 2015

French Chic vs British Clique

In the heart of Paris lies le Jardin des Tuileries: the centre of Parisian street-style. There is nothing more fascinating than immersing yourself in a different city and culture and observing the fashion of your peers.

In Paris, it is clear that there is a general sense of conscious effort. Men’s style is certainly stronger than in the UK. French men are able to assert the typical ‘chic’ with a roll-neck for example, layered with a heritage trench coat, yet topped off with the ruggedness of some battered biker boots. French women, on the other hand, take the most simple of pieces, white shirt and blue jeans, and they add their own personal spin to complete the outfit and perhaps make a statement - simply by adding a fun pair of Sophia Webster ‘Dove’ butterfly heels or a signature quilted Chanel Boy Bag.

British style, I am afraid to say, does not follow in the footsteps of French style. Brits conform to an almost stereotypical way of dressing, by following trends and buying ‘off the mannequin’ in Topshop, let’s say. We show very little imagination for putting clothes together. Some clothing that I personally associate with Brits are bleach-washed denim, crop tops and logo t-shirts emblazoned with the word ‘HYPE’. All of these have become so popular amongst the British public that, somehow, they have crawled into our wardrobe essentials. I am thoroughly against this.

Also, the French colour palette is far more subdued. Monochrome looks are prominently featured with various shades of neutrals, from camel to moss green, perhaps juxtaposed with an audacious colour or a psychedelic print. However, in Britain we stick to the ethos ‘the brighter the better’, we seem to adore the garish neon tones that drench a meagre top or that infamous bleach-washed denim, changing the colour blue, for the worse.

‘Chav’, as we all know, is a British stereotype and a derogatory term associated typically with a young lower-class person who displays brash and loutish behaviour and wears real or imitated designer clothes. The ‘Chav look’, comprising a hoodie and a tracksuit and any type of sport shoe, unfortunately, still takes precedence over Brits’ fashion sensibilities. My point is that it is almost too easy to identify someone from that look. If we go back to glorious France, it is far more difficult to differentiate between who is a ‘chav’ and who isn’t.

Take a typical Sunday morning stroll through the bustling Place Vendome in central Paris. Parisian women are distinctive in appearance. You will see a lady with the most elegant gait, strutting down the street in head to toe Vintage Chanel, diamond earrings and nails matching her post-box red velveteen coat. Without a doubt she will be accompanied by a loyal companion most likely dressed better than a typical British equivalent. These dogs are more accessories than a mere pet, often tucked under designer sleeves, enjoying the view of the Parisian scenery.

On this topic of accessories, I would like to touch upon jewellery. Jewellery is a great way to spruce up or put a classy spin on a basic outfit; take pearls, for example. They are inevitable and timeless pieces, often related with elegant, vintage style and beauty. The French fashion house, Chanel, is known for its exclusive pearl collection, containing the signature ‘CC’ logo. Quoting Coco Chanel, ‘Une femme a besoin des cordes et des cordes de perles.’

For going out, we Brits have designated outfits for a specific occasion. However in France, it just does not happen. Take the YSL smoking jacket, for example: typically a black, satin blazer - the epitome of French chic. French women are able to dress it up or down, according to the time of the day or the occasion. Essentially, they will need only one formal piece to re-master and make their own at any event.

Quality is far more important than quantity in France. This takes me back to my point on French people adding their own individuality to their style; Parisians would rather invest in more unique, designer pieces than conform to the British attitude of splashing out in high street stores such as Primark or Topshop on bargains that you can only wear once.

Statistics show that 72 percent of Brits have admitted to injuring themselves for the sake of fashion. The list varies from wearing excruciatingly high heels to skin-tight fabrics. They go by the mantra of ‘no pain, no gain’. However, a quote from fashion icon, Coco Chanel, says it all, la simplicite est la cle de l'elegance, 'Simplicity is the keynote of all true elegance', the French win again!
 
    Emmanuelle Alt of Vogue Paris, the modern epitome of French chic










 
 
VS
 
Britain's spokeswoman for everything glorious about our country, Katie Price
 
 
 


 
     Please note:  I do not own any of these images                 
 
 
 
 
 
                     

 

 



 



 

Saturday, 18 July 2015

Christian Dior Fall 2015 Couture

The 16th century pilgrims meet the impressionist art movement is how I would summarise Raf Simmons' latest collection for Dior.
Last season Simmons explored the concept of 'the future as seen by the past', with the use of David Bowie being his main inspiration. I felt we had been introduced to a much more harsh, almost fetishistic version of the Dior Woman. 
However, this season we still had that futurism yet it was mitigated by Simmons' historical aesthetics- the journey back to the archives which brought us a more innocent, (I hate to use this word) sexy yet sinister vision. Perhaps those 40s ('New Look') coats which clinched in at the waist to open up into a full-skirt briefly dabbled in the darker side with heavy metal chains. 


        


We also saw quotations from previous collections: the scarf neck-line, the tulip skirts which embraced more of a classic 50s silouhette in contrast to the distinctively audacious spirit captured by Simmons last season and lastly, the deconstruction of the defining coat. By deconstruction I mean Simmons took the basic structure of the overcoat and added a flare from his imagination- the bell sleeves (which deemed popular this couture season, especially at Atelier Versace), the glimpse of a fur stole, as one would call it, that appeared through a sleeveless caban and those jacquard chain-mail nets which sat over an ethereal gown.



        



         



        






The opening look comprised of a white organza flowing gown of tissue-thin transparency setting this look of purity within a demure silouhette.






It was evident to me that Simmons was playing with perhaps the imbalance of lightness vs darkness, for example the design of the tulip skirts, which presented a rigid structure was downplayed by the pastel kaleidoscope which splashed its surface, to create perhaps a false vision of softness.











For me it was about the contrast between old and new. With this historical aesthetic that Simmons releases every season, he attracts a much more youthful audience, even aesthetic.





                         Fur stoles 

 
                  
                     Picture courtesy of Style.com





Friday, 10 July 2015

How To Achieve Charity Shop Chic

I have always been one for a good old charity shop, I adore the concept of rescuing used or abused clothing and knowing that everything you buy will go to a significant cause- my example of guilt-free shopping.

Although being a great lover for charity bargains and vintage garments, I wouldn't go as far in saying that I solely buy all my clothes from charity, unlike some of my friends.

I think the most important thing about charity shop shopping is not to be put off by your preconceptions. Yes, a charity shop will have cheap, tacky and old-fashioned pieces, but don't let that deter you; let it cultivate you.
Also you never know, you may be lucky and unearth some treasures.

In this post I shall give you, my dear readership, an insight into just a few of the charity shop gems I have discovered over the past year.

Firstly I was lucky enough to find perhaps my current favourite piece in the wardrobe- my Levi 501 jeans. Before you assert a facial expression of pure desire, I must tell you that I also purchased them for a bargain price of £10, now if we were in Urban Outfitters I can tell you that the price would, without a doubt, be considerably more (£70 to be exact).
I am aware that we are gone of the days when we wore straight or regular cut jeans, now everyone conforms to what I think is a solely British trend, the skinny jean. A super skinny jean and a t-shirt emblazoned in the word 'Hype' and topped off with one of those black Harrington jackets. My definition of a stereotypically young Brit look. We seek no imagination when it comes to a trouser.





  




Here I have paired the jeans with a Breton top from Jack Wills and a cardigan I got in a charity shop for £1.99, to create an ultimate 90s look, aka the Tash Yeo look.






               

My next item is this denim jacket I got in Oxfam for £8.99, another great bargain. For me, denim bombers and jackets are definitely a wardrobe essential. I mean you can dress them up or down and they inevitably go with any colour, black in particular. The only rule I have is if one commits the crime of double denim, then one should be locked up.



  





             




Here I'm wearing my denim jacket incorporated into a autumn/winter look. My roll-neck is from Zara, jeans from Asos (ripped by moi) and my boots also from Asos.



                  





Lastly I have this vintage blue shirt I got in Urban Renewal in Germany. Forgive me as I know this isn't charity shop but more vintage shop. I love this shirt, despite what many people think of the audacious 80s prints. What I can say in response is that these kinds of shirts are a acquired taste and they will not suit everyone but I encourage you all to be adventurous.

Here, I have gone for the rather feminine summer look. This look oozes the last drops of masculinity that's held within me. I am wearing some short dungarees from Asos and my Céline flatbrow sunglasses (of course channelling my love Kim Kardashian).



                    



           
        




Watch out for Part 2 of my Charity shop guide in the next few weeks, along with show reviews for Couture Week. 

                
                            Until next time