Yesterday we were treated to a dazzling, autumnal jaunt in the English countryside. We had a mixture of the opulent 30s with post-war 40s and of course an All- American vibe throughout.
It was a totally classic collection with a strong sense of romanticism.
The 40s silouhette was adopted; long pencil skirts, military'esque tweed jackets with peplum waists, draped in copious amounts of fur. Fur like nothing else; sheared mink, striped fox- dyed in sea-blue and fur collars in every colour imagined, emblazoned on a smock dress or an embellished pant-suit. Giving luxury it's name.
One dress in particular stood out for me. An autumnal brown with the most intricate gold floral embellishments and appliqués, which gradually fragmented up the torso. It was truly stunning!
There was, however, a slight modernity shown through certain pieces. For example, the caped heritage trench and the caped version of a tweed blazer. It made a heavy, durable fabric have a sense of lightness.
Hard brogue-like shoes added a sense of practicality and extreme classicism, as well as the Gladstone bags in dark-toned orchid and tan to give a refined feel.
There were hints of masculinity from the menswear checks which covered the outerwear and sharply tailored pieces. For example, an absolutely beautiful pair of black pyjamas showered in miniscule paisley crystals, served with a generous helping of black mink. So sumptuously delicate and beautiful it baffles me.
The last two evening gowns worn by supermodels Karlie Kloss and Karmen Pedaru, shimmered in the spotlight. Which ended the show on a sensational high.
Personally, this was one of the most beautiful Michael Kors collections he has ever produced, infact out of all shows this New York Fashion Week, this one was my favourite.
If you haven't watched it already, I would encourage you to do so!
Picture courtesy of fashiongonerogue.com, style.com, zimbio.com























