To him, this autumnal season was all about an influential group of writers, poets and artists; the Bloomsbury Group. Bailey portrayed his inspiration through the skillful craftsmanship of the quintessentially British brand, by hand painting every pair of shoe, bags and giving a new spin on the classic Burberry staples, the trench and the shearling biker jacket. The collection was a whirlwind of flowers, fur and lace. The layering of various textures and colours were incredible. One could call it 'texture blocking'. The colours were dark, dull shades which created a rustic, raw feeling to the collection, juxtaposed with the flurry of watercolour strokes on the long-coats and dresses.
One other prominent motif featured in the collection was, 'British Aztec'. The finale showcased all the models wearing custom ponchos covered in the famous Burberry hallmark print, however in a more natural, richer shade. Also, the bags featured were covered in mixtures of Aztec prints and shaved velvet, which created a severe luxury feel and added expense.
Burberry supports the work of up and coming new artists and models. Bailey books a handful of specific Brit models who are a part of the 'Burberry family'; we see the likes of Cara Delevingne (who closed the show), Jourdan Dunn, Suki Waterhouse, Malaika Firth, Edie Campbell and Sam Rollinson taking over the runway every season. Even the British models, in general, have fought over the fashion cities and won the hearts of many designers.
I have always admired Bailey's work. It is truely amazing how he stays so close to the brand's DNA, yet he is able to come up with the most extraordinary designs, so britishly-based.
Love to all
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