Showing posts with label celine. Show all posts
Showing posts with label celine. Show all posts

Saturday, 2 January 2016

Spring/Summer 2016 Trends

Forgive me, for I know we are still embracing the last of those wintry months, however it has come to my attention that we must begin to address the fast approaching Spring/Summer season.

Although this post very much focuses on the trends for next season, trends on some level are dying out. There is such a huge desire within the fashion industry to be original and individual that people withdraw themselves from any of the trends and choose clothing which is either: really comfortable and cheap or unique (investment buys), for example, the 'urbanista', as we now call it. This is a person who believes only in a non-mainstream and alternative way of dressing, someone who can adapt their style to their surroundings, as it were. 
Don't get me wrong, the trend is still very much prominent, yet I think we must choose to focus more on purchasing those timeless pieces which will last in our wardrobe eternally. So, without further a do, I present to you, my dear readership, some of the key trends for Spring/Summer 2016:


  • Soft, subdued shades of buttermilk, shortbread, biscuity browns and chalky pinstripes plastered onto layers of new proportioned linen speak Spring/Summer simplicity. Take Balmain's voluminous toffee suedes or chocolate browns transposed onto tiered ruffles and jewelled lattice work, definitely amplifying the connotation of glamour.




Balmain




  • Sleep no more? Silk, satin and lace- along with lots of skin- were all over the Spring/Summer 2016 runways as lingerie-inspired slip-dresses, laced-up negligees and sheer nightshirts went from in the bedroom to sartorially sharp.





We saw brands such as Celine, Givenchy and Dior all embrace the day-into-night inspired looks with open arms. One must-have is the camisole top from La Perla, retailing at £300. Envision that paired with a YSL Le Smoking jacket, low slung tapered trousers and a pair of Louboutins. Undoubtedly pure Parisian perfection.


YSL Le Smoking Tuxedo


  • There seems to be a rather strong movement of New Romanticism for Spring/Summer. The Victoriana trend has been dousing the catwalks throughout the last few seasons. However, now, designers are filling the catwalks with an ultramodern take on traditional femininity- hence the powder pink hues, flouncy frills, fanciful florals and pie-crust necklines. Seen at McQueen, Fendi, Vetements and JW Anderson.



McQueen


Fendi


J.W Anderson


  • As I mentioned previously, there has been an introduction to new proportions. Take Phoebe Philo for Céline's masculine vs feminine idea. Moving away from minimalist shapes and diluted colours, into more accentuated silhouettes and voluminous dimensions- crepe trousers, puffed up shoulders and cinched in waists. Unquestionably a clever way to add a bit more fun and freedom to your wardrobe necessities.




Celine


  • It's just one of those well known facts that everyone adores a white button-up. It's the go-to piece which can, without a doubt, tszuj up your wardrobe with a single blast of formality. This season, designers haven't just taken the basic white shirt but given it a complete re-model. We have now seen a complete deconstruction take place of one of the classic staples. We now have tops, skirts and bustiers all fashioned out of the garment - albeit keeping to modern standards of vast layering and futuristic lines and cuts. Seen at Margaret Howell, Delpozo and Jacquemus.



Delpozo


Jacquemus


  • Forget your flats, it's all about the flatform now! Yes that's correct, it's time to say au revoir to ballet pumps and Yeezy Boosts (if you do so dare to own some) and welcome in a new addition- the hybrid flatform Greek sandal. Seen at Chanel, Burberry and Giambattista Valli.


Chanel


I hope this provides you, my darlings, with some help for next season's shopping sensibilities. Now I shall depart and wish you all a happy New Year!


Please Note: I do not own any of these images, courtesy of Vogue.com, Vogue.co.uk and YSL.com

 

Friday, 9 October 2015

Céline Spring/Summer 2016

As expected with a Céline collection, it never fails to let us down. This season was a retrospective of everything we love about Phoebe Philo (creative director for the house). She is able to create clothes that women actually want to wear and could wear (despite the price tag). Asserting the idea that clothes can be easily adaptable to the way women want to live their lives, instead of feeling victimised by fashion.
However today, Philo played more with the ideas of femininity, gently moving away from minimalism with the introduction to prints and a wider array of fabrics.
Femininity through the more accentuated silhouettes and voluminous dimensions- crepe trousers and puffed up shoulders; cinched in waists and severely sartorial structures.




We saw pieces that we would have never of dreamt of seeing at a Céline show. Take the silk slip dresses that have deemed rather popular this season,(seen at Givenchy, Burberry and Calvin Klein)which had lace details that carefully drew attention to the female form. Or perhaps that deconstructed moss green overcoat which Philo re-worked, offering us a confliction between the cinched-in elasticated waist and the boxy, masculinised shoulders.




 
 
Lace silk slip dresses
 


 
Morphed shapes in moss green
 

My favourite looks were the leather tunics that sat over asymmetrical jersey dresses, they just screamed aggression yet downplayed by the fluidity of delicate fabrics. Almost resembling a suit of armour.


 
Leather tunics implied powerful futurism



Also Céline is generally well known for its rather grandiose array of accessories, in particular bags. From the phantom tote to the trapeze, these bags are pure dreams. This season exhibited a brand new selection: pillow bags, the box clutch and those auburn bucket bags.(literally to die for)

 Pillow bag
 
Violet Crocodile box-clutch



Amidst this perfectly conveyed notion of masculine vs feminine, we also had this portrayal of almost quite a pertinent futuristic 'urbanista' as one now calls it. A woman of the utmost class and dignity, who believes only in a non-mainstream and alternative way of dressing. Someone who can easily adapt their style to their surroundings, as it were. Definitely open for interpretation.

For me, Phoebe Philo remains one of my favourite designers. Her visions are simple, raw and dynamic. Season after season she brings us more than just clothing collections, they are art installations.


Please Note: I do not own any of these images, courtesy of Vogue.com